/karen/

Five: Saturday 16/07/2005

Sunday, 24 July, 2005

We wake up too late for breakfast and the first panel. I split my muesli with Kathleen. When we take the tram into town, the tram driver tells me he likes my hat.

Dog gargoyle on Continuum 3 rego table

At the Hilton, Kathleen and I head straight for the Dealer's Room and I end up spending a lot more of my birthday money, adding to my Sandman collection with Death: The High Cost of Living and picking up the Mirrormask script book and Coraline in hardcover (the one with Dave McKean illustrations; I've always felt a little guilty that I picked up my paperback copy for only $4 at a Salvos store). I also got Speaking in Tongues and Warning: Contains Language and am kicking myself for not also picking up Telling Tales as well while I had the chance. Oh well.

Kathleen goes to the video room and I go to “Small Press Publishing” (Cat Sparks, Sarah Endacott, Jonathan Strahan, Mitch). Despite their negativity about the inability to make money out of small press publishing, I find it a really interesting and stimulating panel. I was particularly awed by Cat Sparks and Sarah Endacott because they started their ventures with the aim of publishing, showcasing and promoting Australian SF. They do it for the love of the thing, rather than to make any money. Listening to them and their advice gave me a crazy idea which I am not sure what to do about. I think I should talk to some people first before doing anything about it. In any case, it is a Next Year project ...

Chandelier at the Hilton

Kathleen goes to “How to Construct and Work in a Full Body Costume” while I go to “Moving out of Genre Fiction and into the Real World” (Poppy Z. Brite, Neil Gaiman, Jack Dann, Fiona McIntosh). That was also a very interesting panel. Poppy talked about how, after years of writing vampire horror, she switched to writing about the restaurant/food scene in New Orleans. She said she wrote her book, sent it to her agent and her agent said, “What's this?!” and sent it back. She sent it to Neil to read and he said, “You need to fire your agent. This is an [insert expletive] good book.”

I never realised how hard it is to cross genres when you are a published author. Neil said he was particularly lucky because he'd worked in comics for long it was possible to do all sorts of different things without people noticing because it was comics. He said the strangest thing for him was to cross over into children's books. Apparently, the phone call that the HarperCollins children's division dread the most is their adult division ringing up and saying, “One of my authors has written a children's book ...” Neil said, if it hadn't been for Phillip Pullman, perhaps Coraline could not have been published and gone on to do as well as it did.

Some quotes:

“Readers are wonderful people but if you ask them what they want, they will basically explain to you the last thing you wrote that they liked.” (Neil Gaiman)

“Writing is dangerous ...” (Jack Dann)

Richard Harland signing things for Kristyn in the foyer

It is time for lunch and Kathleen and I buy sandwiches, pies and water from the Hilton staff (ridiculously overpriced but it's too much trouble to go out and walk to find somewhere else). After lunch, it's the Neil Gaiman Guest of Honour Speech and of course everyone who can fit into the room is there.

Neil Gaiman reading

He reads us an exercept of Anansi Boys and even does all the voices. (I think his kids must get a real kick out of having their dad read to them at night.) Then he shows us the press kit for Mirrormask which contains the trailer, an exceprt from the film, a musical montage, a green-screen comparison, a short clip of an interview with Neil (sporting particularly bad hair which was imposed on him by the hair and make-up person five minutes before the shoot) in which he talks about Dave McKean's fascination with masks (at this point, “I'm so tired of being interviewed that I simply started lying ...”) and a clip of Dave McKean, which, Neil informs us, is from 1996.

Mirrormask looks lovely and wonderful however (and there is some confusion about this at the moment), it seems that Sony Australia do not have a release date for it in Australia. (NB: this is not to say that they are refusing to release it on the big screen here; they just don't have a date yet. I think they are getting a bit annoyed at all the Neil fans out there who have been ringing up, writing petitions and sending them letters about it. At least they know that the Australian public really wants to see the film.)

Neil on Good Omens:

“I wrote a very serious book and Terry [Pratchett] danced behind me scattering jokes.”

And then it is time for my reading and I am scared out of my brain. I am sharing the slot with K.J. Bishop and Karen Miller—both of whom are published authors. I am not. The reading is in the La Trobe room where there is a rather odd skeleton on the mantelpiece (we think it's of a cat):

Cat skeleton

I have visions of only a handful of people being there, or worse yet, everyone getting up and leaving once the others have finished because, after all, the Neil signing is straight after this.

The reading starts late. I have no idea who is chairing it or keeping time. K.J. Bishop begins but she hasn't timed her reading and she has to stop before she gets to the end. Karen Miller reads and excerpt out of The Innocent Mage. Then it's my turn. Unlike the other two who sat down at the chair at the front, I use the lectern. I've got my thesis in its bound format and it's just too unwieldy to sit on a chair and use. Anyway, the lectern provides a nice buffer between me and the audience. Everyone sticks around and I am ridiculously grateful.

I read “The Wild Swans”, “Elise”, “Sleeping Beauty” and “Someday”. I keep to time and only stumble a couple of times. When I finish each piece, there is a smattering of applause—more enthusiastic for certain pieces than for others. When I step down, the lady who is sort of the unofficial chairperson asks us where people can obtain copies of our work. I feel a bit embarrassed when I tell her that mine isn't published. Oh well.

People say nice things to me as I leave the room—how much they enjoyed the work, etc. Kathleen tells me I ought to get it published. We strike up conversation with a girl called Sally who comes from Brisbane and is a journalist and walk with her all the way to the signing line.

We are too far back in the line to make it through before Neil's next panel so we are given numbers and are told to come back at 5. We go to “Fantasy and Fairytale” (Neil Gaiman, Robin Hobb, Richard Harland, Tony Shillitoe, Kim Wilkins). It is quite an interesting panel though most of the stuff I already know. The panelists disagree with one another about defining what fairy tales are and the discussion traverses the terrain of moral fables, trickster stories, urban legends and children's literature. Neil reckons that someone once wrote the original tale of, say, Cinderella. He said something that I fear I've transcribed wrongly (cannot read my writing ... grr):

“Children's literature over here is nice and icky, it's like Nutrisweet. For adults to approve of. You will not have to worry about your child getting an idea.”

(If that's wrong, my apologies!)

After the panel, we go and line up again, trying to place ourselves in our original order. In exchange for snapping pics for Sally, she agrees to snap pics for me. We finally reach the front of the line and there's Neil, all nice and charming and affably, like everyone says he is.

Neil signs books

He comes equipped with his own pens (see, writers are particular about their tools) and he draws the Sandman in Haoran's copy of Endless Nights in silver. (Later I SMS-blog Haoran to let him know. He replies,

w00t! Just shown to G. Will show to Elsie. Yay you.

G, being Guan of course). Neil signs my copy of Mirrormask and then Kathleen and I get a photo with him.

Me, Neil and Kathleen

And I'm conscious about the number of people behind me and, while I want to ask him all these questions, I've really used up my time and so we step away and I remember belatedly that I forgot to bring my present with me and resolve to bring it tomorrow.

Kathleen and I say goodbye to Sally and head back to University College for dinner. We get changed and I put on my simple Death costume and get Ben to take Amélie-type mug shots of me:

Karen as Death front
Karen as Death side

Kathleen even lends me a poisoner's ring:

Poisoner's ring closed
Poisoner's ring open

It is freezing cold and my coat doesn't keep out the wind. We catch the tram back to the Hilton where the HarperCollins Voyager 10th Birthday Extravaganza is in full swing and everyone is dressed up to the nines. More and more fantastically-dressed people step out of the lifts (fairies, angels, gentlemen in top hats, dapper coats and canes) and I am too shy to ask them if I can take proper photographs of them.

Wolf man

Kathleen puts on the mask she made and also finds her friends from the Diana Wynne Jones list. I stick peacock feathers in her hair.

Kathleen masked

We stand there for ages, gawking at everyone, until people start going inside to the ballroom. Kathleen finds Sally and gives her the mask she brought for her (another Kathleen specialty). Sally is friends with someone who has a room at the Hilton and he and his girlfriend graciously allow us to dump our stuff there. We head into the ballroom and all the funny statues of Skekses and Pikachu are draped with cobwebs.

Me and Kathleen in costume

Inside, people are already on the dance floor, grooving to 80's hits. Kathleen and I get a drink and I stand there at the edge of everything, watching the dancers. The girl with the amazing hair (it had blue and purple ribbons all braided through it) is easily the best dancer there. A guy named Tom comes up and talks to me and I find out that he works for Madman as a computer programmer (and thus has already seen Howl's Moving Castle [and, according to this site, I will miss it again, being in North America. Aaargh!]), he plays bass in a heavy metal band and he loves reading Cecilia Dart-Thornton. He tells me he enjoyed my stories—particularly “Someday”.

I go and sit with Kathleen and her friends and strike up a conversation with Emma's boyfriend, Elliott (incidentally, Emma has posted some photos of the Maskobalo). I took some more photos as the costume competiton was judged (the winners were the wolf man, one of the jesters and the guy who dressed up as Captain Jack Sparrow). I had a splitting headache by this time so I went to the video room and watched the last three episodes of Neverwhere which was all right but a little clumsy in direction. I did think that the guy who played Richard Mayhew got it just right (and Neil is right, he does look like Paul McCartney! And, according to this, he has even played Paul McCartney in a few things, like Backbeat), ditto the girl who played Door (who was Kate the Ferrier in First Knight).

When it was over, I went and found Kathleen again and rang Ben for a lift and we went home. Of course the car breaks down just as we hit the Elizabeth St roundabout. We lose all power and the engine won't start. But Melbournians are very nice and one of them helped us push it into the nearby Bob Jane T-Mart where we call the Victorian equivalent of the NRMA who promise it will be a 90-minute wait. I am cold and sleepy but we sit there and wait. After 40 minutes, Ben tries the engine again and it starts up (just like in Canberra last year) and takes us home. When we are safely back at University College, I call the NRMA to cancel the call and Ben and I do a mock dance to the hold music.

Karen had a thought at 1:33 PM |
Posted in: Melbourne 2005
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seen: The Duchess 23/10/2008 (0)

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Bible: Amos (ESV) 13/10/2008 (0)

read: Rapunzel's Revenge (Shannon Hale, Dean Hale and Nathan Hale) 12/10/2008 (0)

seen: Whisper of the Heart 10/10/2008 (0)

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seen: Wall-E 04/10/2008 (0)

seen: Cars 03/10/2008 (0)

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read: Pastoralia (George Saunders) 23/09/2008 (0)

listening: Kismet (Jesca Hoop) 23/09/2008 (0)

seen: Howl's Moving Castle 20/09/2008 (0)

read: On Chesil Beach (Ian McEwan) 20/09/2008 (0)

Bible: Philemon (ESV) 19/09/2008 (0)

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read: The Game (Diana Wynne Jones) 14/09/2008 (0)

seen: Mr & Mrs Smith 13/09/2008 (0)

read: Make Like a Tree and Leave (Paula Danziger) 11/09/2008 (0)

seen: Hellboy II: The Golden Army 09/09/2008 (0)

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seen: Paris Je T'aime 05/09/2008 (0)

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seen: Lock, Stock and Two Smoking Barrels 17/08/2008 (0)

read: The Nanny Diaries (Emma McLaughlin and Nicola Kraus) 16/08/2008 (0)

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Comment:

Mark said in Going home:

Bravo Karen. Superb writing and illustration (especially the high contrast frames).

And yes I noticed the transformers poster on the last page! Nice smile

/Karen/ said in Going home:

Thanks Bec!

Bec said in Going home:

Good job, all of you!  It looks fantastic!

/Karen/ said in Kaboodling:

Heheheh ... Hello Kitty is my muse!

Kathleen said in Kaboodling:

See! I told you they were cute stick-figures - especially when they’re angry!

Bec said in Kaboodling:

Kawaiiiiii!

/Karen/ said in Doodling:

Heheheh ... H, it’s never going to happen! Carpe diem!

Kere: Yes, I own all three of Scott McCloud’s books on comics, but I’ve found Making Comics hard to get through—I guess because, as you say, his primary target audience is artists. But it’s very interesting and helpful all the same.

Haoarn said in Doodling:

Very nice smile

I’ll put this, too, on my list of things to do when I have more time…

Laurel-li said in Art for art's sake?:

Any discussion of the purpose of art is going to huge and unwieldy. And in the end, I suppose, my question would be whether or not it truly matters or if it can be defined in a way that truly encompasses, rather than limiting, the possibilities of art and the roles of the artist. In the end, I don’t have to write (there is no compulsion) but nor do I write for any end purpose (which to me would still involve some form of compulsion). I write because it’s part of who I am, because I love it and would rather do it than not. The process is enough for me, is the enjoyment. It’s not the story or the characters or the theme or message - all of that is about the end product - but the work itself, the way it happens, the word choice and the way its chosen, the way each part works together and how I’m making that happen. It’s said that a work of art is never completed only abandoned and I think that’s true and that this is why: art is about the creation, not about the product.

But that’s just my point-of-view - it’s the importance of art for me - and there are no ends of artists and critics who would disagree with me and do so strenuously. And I don’t know that there is a right or wrong here. For me the end product is… very nice and I’m happy to do something with it. I’d like to think it can express something important to other people and that that message should be to God’s greater glory. Which, as you’ve pointed out, it cannot help but be. But for me it’s about the process which is, to some extent, a view of art for art’s sake.

Well, that was convoluted. I’m planning a wedding! I have an excuse! ;p Hope that made some sense. ^-^

Laurel-li said in Doodling:

Hihi. The book Jon recommended to me when I started my graphic novel is Scott McCloud’s ‘Making Comics’. I found it quite useful, though a lot of the stuff it says are things you would think of yourself given the moment to do so and he’s very much coming from an artist’s point-of-view and seems to assume that the drawing comes before the writing. Still, he had some interesting things to say and in an interesting manner.

I’m very glad you’ve done some drawing for this. I found it interesting to think in the right way for this kind of static visual form, unlike a form like film which is… *tries to find the word* based in action rather than having all the action happening between images. (Why sue one word when ten will do?! ;p ) It takes some getting used to, though I’ve been doing layouts as I write which helped no end.

Anyway, this is alll shiny. ^-^

Kathleen said in Art for art's sake?:

Good discussion and reminder, and I’m looking forward to seeing more of this series smile

It’s something I think about from time to time, and should probably devote a bit more thought to, although I’m approaching art from the point of view of a profession/vocation more than as a vital form of self-expression. But I will often be among people who do, so shouldn’t ignore that aspect.

/Karen/ said in A shawl for Kathleen:

I wonder if there’s a name for that kind of creative/artistic circularity ...

George, one day I will come and borrow your collection ... once I get through my unread pile!

Kathleen: no, not yet. It’s sitting pristine in a ziplock bag ;P

/Karen/ said in Doodling:

Hee hee, yes I did! And today I found some blue pencils so I’m going to have a go at using them.

We will have to collaborate some time in the future ... I will keep thinking up more ideas for four-page comics ...

Kathleen said in Doodling:

And that Copper tutorial was great - informative and funny. Did you hold the pencil the right way? smile

Kathleen said in Doodling:

So glad you went for it! I was going through my notebook the other night and found my sketches and thought, I wish I had had time smile

Kathleen said in A shawl for Kathleen:

It’s so lovely, like something made out of spiderweb! My “string” illustration was based on a sketch I made of you knitting it (although I didn’t know it at the time).

By the way, I have every Georgette Heyer book (all the romance ones). She’s one of my favourite authors.

That was such a funny, enjoyable read especially the thing about the knitting needles.  Funny stuff and sad but true smile
I love going to Brizzy.  I like how laid back the city is, there’s little aggro, and I love the weatherboard architecture.  I have a friend who lives near St Lucia (actually Kenmore) and I always love going there… Ah!  I miss it.

Yes, but there’s a difference between following the rules and trying to convince people they are reasonable smile

It was a very excellent chair, Karen - and your photos all turned out really well. I’ve got some sketches up on Flickr (but they don’t look like you!).

Used the sketchbook yet?

philip andrew said in Story: 9/10/08-12/10/08: Brisbane:

About the bamboo knitting needles, they follow rules as a requirement of their job. As with most people, keeping their job is most important so regardless of how silly the rules are, they must be followed as she would be well conditioned to do so.

http://boingboing.net/2008/10/07/us-customs-sketching.html

http://www.xtcian.com/arch/001602.php

Elsie said in Story: 29/9/08-5/10/08:

Tea Inn! And freezer section of Asian supermarket.

Georgina said in Branching out doubled:

Thank you again - it’s lovely!

alison p said in Story: 6/10/08-8/10/08:

the last spray bottle I got I got from woolies (in australia). I would be suprised if they have stopped selling them. Maybe you should try looking in the gardening bit? I can’t remember where it was.

you have inspired me to get a wii fit too! I am rubbish at the soccer heading game. but I like the ski jump!

alison 8-)

/Karen/ said in Story: 29/9/08-5/10/08:

Ooh, where do you get dessert dumplings? Hang on, I think I might have had them in some Chinese restaurant. Not with the soup though.

Elsie said in Story: 29/9/08-5/10/08:

1. Dessert dumplings!! Have you ever had them? White on the outside, filled with peanut sauce or black sesame on the inside. You have it with a sweet watery soup. Also, you can get ice-cream type dumplings (if that’s stretching the definition of dumpling a bit far raspberry)

2. Duck gyoza?? Yum! Wanna try that!!

Diane said in Branching out doubled:

Wow! That is amazing!!

/Karen/ said in Story: 15/9/08-21/9/08:

Sorry about that! My blog must be rather hungry, eating comments like that ...

So glad you’re still reading smile Been praying for you.

alison p said in Story: 15/9/08-21/9/08:

Hi! *I’m* still reading your blog!
sounds like you had a nice time!

the last comment I left got eaten (i.e. never appeared) so better luck this time??

Alison P.

Alison Payne said in Keeping your hands busy:

Thanks for this. I have it all sorted! I wonder why all that other html stuff comes up whenever I look at other rss feeds, when it’s that simple ...

/Karen/ said in Keeping your hands busy:

Regarding Google Reader:

Click on “Add subscription” (LHS menu).

Copy and paste the relevant feed URL. My blog is complicated because there are four:

Click “Add” and you’re done!

Alison said in Keeping your hands busy:

This has nothing to do with your post, but I am clueless as to what to do with your feed things on here up there in the corner, and can no longer get this blog in google reader. So, can you enlighten me as to what I might do with that html stuff up there? smile

philip andrew said in Oh dear:

Everyone automatically gets copyright on work they produce and publish. You don’t need to (C) 2008 the work, its automatic law.

You can release that work under a license otherwise it defaults to the normal copyright law. A license can give certain permissions and apply certain restrictions in the use of the work.
Often people release works under more than one license, for say a commercial license and a free license where free may have some restrictions such as preventing re-sale of the item.

Patent law only applies if you obtained a patent, which only applies to inventions which are new and original. Unfortuantly people can patent too many things these days such as DNA and thereby own living organisms.

Laurel-li said in Keeping your hands busy:

*struggles to express thought coherently* What Kathleen said. ;p If your enjoyment of the activity is suffering because of the pressure other people’s suggestions place on it, then perhaps you should cut back on accepting those suggestions. I now have a default response of “no” to most suggestions that I offer the things I do to relax or for my own enjoyment in the service of something or someone else. Not that this stops me offering to do things but I know it’s easy to feel like you should do something because people have suggested that it might help.

Laurel-li said in Lace ribbon shawl:

This is really lovely, Karen. I’m always in awe of people who can knit: it’s always been beyond me. This is just gorgeous.

Kathleen said in Keeping your hands busy:

I think it’s something you work out only by getting into that situation. I’ve been there, and learned to say - I’m not enjoying X anymore… why was I doing X and how important is X? And if the demands of other people’s wishes and suggestions and deadlines interfere with both that reason and other things that are more important, then I don’t agree to them in future. It sounds like you knit for relaxation and creativity, to rest and recreate for the rest of life, and the extra obligations imposed on knitting ruin both the r&r;and (therefore) hurt other areas of your life.
It’s the sort of thing you learn by trial and error. I’ve had to learn to make extra activities based on those things a default ‘no’, and then have a really good reason if I change that.

Ben Beilharz said in Oh dear:

I agree with Nathan, I don’t think you can copyright the pattern, you’d have to get a patent. Sounds like wishful thinking on the pattern creators part.

/Karen/ said in Oh dear:

No doubt people weren’t aware that others were selling stuff made from their patterns. But now that we have the internet, it’s easier to track these things.

From the brief reading I did, even if Australian copyright law were slightly different, because of how other countries subscribe to certain forms of international copyright law, they can still claim their rights even if you’re in Australia and they’re in the US.

Anyway, the problem come when you sell what you knit; if you give it away for free, it’s fine.

I’ve gone and asked for permission from the original designers of the patterns I used. One said a flat out no. I’m waiting to hear back from the other two.

Diane Lovell said in Oh dear:

I was wondering about this the whole time I was admiring your work. The thing is that it’s not clear cut in any way shape or fashion. Some patterns will say that you can’t sell any products from the pattern but some will say nothing at all. Nathan insists that the only thing that can be copyrighted is the paper/online pattern itself. If the designers didn’t want you to create and sell from the pattern then they should have patented it.

It’s very murky. Copyright australia website has some pdf helps but even then I’m unsure on the whole copyright vs patent issue.

I think this is only a very recent thing in the crafting world. Before it used to all be about sharing patterns and sharing ideas for the common good. But now it’s all about ‘gimme, gimme, gimme’.

philip andrew said in Oh dear:

If you made a derivative work of another, which all creative people do all the time anyhow, it is up to the copyright holder to prosecute you.

Or otherwise, you can ask the copyright holder for permission to use it as such in which case they can say yes sure, or the can ask you for money.

Blinks:

Serving breakfast to kids in the classroom boosts attendance, increases attention spans and helps kids ease into the school day as they get to socialise and relax before class begins.

Voice operated searches can now be conducted through Google on the iPhone. This service will soon be expanded to other mobiles.

Via Rod B. Sermon outline on how to think biblically about Facebook.

The Black Dog Institute's 5th annual writing competition. Deadline: 31 January 2009.

Studies in the UK shows that marriage is good for children, whereas family breakdown leads to poverty, personal debt, drug and alcohol addiction, failed education, unemployment and dependency.

Via Dave: build and buy your own muppet.

Services like eGuardian which have been set up to protect children may also sell their information to marketers and advertisers, prompting concerns about privacy.

Amusing article about how retail packaging is changing in the face of consumer complaints that they are too hard/dangerous to open.

Cory Tennis's advice to someone who wants to be more creative: just get out there and do stuff.

The impulse to create is interesting: "...I have these strange feelings all the time, like I want to sit down and write a song or a poem or create something, but I don't know where or how or what ... or why."

Print your own fabric--from photos, illustrations, etc.

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