We go to pick up Kathleen from the airport. The trouble is, neither of us have been to the airport at all in Melbourne. Anita has given us clear directions however and we successfully avoid the Citylink freeway.
When we get there, of course we drive into the wrong lane and cannot park so we have to go around again. Melbourne airport is very strange: it has three wings that go Domestic, International and Domestic again. I realise I have absolutely no idea what airline Kathleen flew with. Luckily she SMSs me while we are standing in line to buy another McDonald's breakfast.
It is always a little odd to try and find someone you've never met face to face before in a crowd of people but somehow, using my vague memory of a photo that Deb once posted on her blog, I manage to spot Kathleen near the Virgin Blue carousel and she, simultaneously, spots me. We drive her back to University College, get her some keys and show her around. Both of us have no idea what to do next except for some vague notion that we ought to have a go at catching a tram in this strange city. The tram stop is close by but the tram pulls up in the middle lane. I am not used to the geniality of Melbourne drivers who respectfully stop behind the tram to allow you to cross their lane to get to it. It also amuses me that the symbols for prohibited behaviour include the one on the right:

I make the mistake of talking to tram driver who tells me that my NSW concession card is unacceptable in this state and that I need to buy my ticket from the machine halfway down the carriage. Oh yes, I forgot, no one talks to humans anymore. As we have no idea what a Citysaver is and what it does, we each buy a 2-hour ticket and alight on Bourke St in the hopes of finding an elusive Metcard seller who will let us purchase a weekly (I vaguely remember Bourke St from when I was last in Melbourne at the age of 15).
We part ways with Ben at this point and Kathleen and I go wandering around the city, getting distracted by things like Bookbinders Design (gorgeous expensive journals!),

a second Koko Black, a Babushka shop in the Strand Arcade,

a man in the window of Suga making rock candy by spreading it out on a metal surface and then cutting it up with a pair of scissors (these are the people who made the “Stan and Clare” lollies for their wedding).

We search Myer, David Jones and Accessorize for black cloche hats. Myer has the right shape but the wrong colour. Perhaps I am being too fussy.
Finally we find a Metcard vendor and purchase our weekly tickets for $25 (not bad, methinks, given that you get unlimited travel in Zone 1 which extends a fair way). In Reader's Feast (which has the same price tags and computer system as Dymocks) I buy Deep Secret. It is interesting going book shopping with Kathleen because she has read so many different things to what I've read. She tells me I ought to buy the book as a reference guide for the weekend.
We eat sushi for lunch (perhaps in honour of Neil?) and Kathleen is influenced by me enough to get a seaweed roll. We cannot find the bathroom in this particular shopping centre and so give up and catch the tram to the Hilton on the Park where the convention is being held.
There are all sorts of colourfully-dressed people about and it's easy to see who are convention-goers and who are not. We register and the people on the desk give me a bright green spot for my name tag which signifies I'm on a panel (no, really, I'm just giving a reading!) It scares me that my name is in the program and the convention booklet. Kathleen and I find a corner of the first floor foyer and sit there going through all the stuff they've given us in the bright blue Voyager 10: Celebrating the First Decade HarperCollins canvas bag. There are a bunch of fliers encouraging us to go to other conventions (cons), bookmarks, promotional material for books, a pocket program folded in a really cool way which ought to be used for wedding programs, and the program for the video stream. We discover that Neverwhere is screening at 10:30 pm tonight and the following night. “I'll go if you go,” says Kathleen. It is very tempting ...
We don't particularly want to attend any panels until 3pm when “Evolution of the Fictional Vampire: From Lord Ruthven to Saint-German” is on so we go downstairs to the lounge area and are ignored by waiters until we flag one down and order a green tea (which is divine) and a hot chocolate. It is lovely getting to know Kathleen and she tells me about her family, about growing up in the country, about her passions.
The vampire panel consists of Paul Pulton, Kirstyn McDermott (Continuum chairwoman who wears the most fantastic gothic clothes and a different wig every day), Alison Barton, Stephen Dedman and my old English lecturer, Richard Harland.

The panel discussion is very interesting—I had forgotten that vampires were not always members of the aristocracy and that various countries had different traditions about vampires and how to kill them. The best moment was when someone was explaining about how one tradition says that if you scatter rice on the ground around the grave, the vampire is compelled to stop and pick it up, and someone from the audience called out, “ONE! Ahaha!”.
After this, Kathleen and I thought we'd get some dinner so we walked down to Bridge Rd and went to a café called Joy! Caf&ecuate; and Bar on 14 Bridge Rd, Richmond, which was, by far, the worst dining experience I have ever had. The waitress was blunt to the point of rudeness and she forgot to give us a beverage menu, they served me green tea which smelled like lemon and refused to do anything about it when I sent it back, and the gristle hadn't been cut out of the bacon of my fettucine cabonara. I tried to refuse to pay for the green tea but the woman on the cashier argued with me about it and showed em the tea packet she had taken it from. She would not back down. I thought $3 wasn't worth yelling and screaming about and potentially irrevocably damaging any possible relationship with this person who is also created in the image of God, no matter how unpleasant she was being, so I paid the measley $3 and told her quite politely I was never coming back. Unfortunately she didn't seem to care for our business.
As we walked back to the Hilton, having missed the “So this is your first convention?” panel mentioned in this article in The Age, Kathleen was righteously indignant on my behalf and I thought belatedly I could have taken advantage of her skills as a lawyer. Oh well. But I could not get rid of the sick taste in my mouth and I temporarily hated all Melbournians. Then I got over it.
We went to the Opening Ceremony which was absolutely packed. I had no idea there were this many people at the convention! (Apparently close to 500 which shocked the organisers too.) I got my first glimpse of Neil in the flesh, wearing his customary black T-shirts and black leather jacket, shaggy fringe getting into his eyes. It was also nice to see the other Guests of Honour in the flesh, though I was less well-acquainted with their work—Robin Hobb, Poppy Z. Brite and, of course, Richard Harland.
Kathleen went to the video room but I went to the launch of Richard Harland's The Black Crusade in the foyer where a very disgruntled Jack Dann was doing his best to plug the book without a microphone, peppering his speech with expletives. Then Kathleen and I and a stack of other people attended the Great Debate: “Humans are Unnatural Creatures” which had all the Guests of Honour plus a couple of extras discussing whether or not humans were unnatural creatures. Jack Dann was chairing but the debaters kept snatching the lectern mikes away from him and saying things to get the audience on their side. It was very funny but also rather rude in places.
Then we attended a panel on European Martial Arts where two guys with incredibly long swords fought each other and showed us how different wards and attacks worked. They also had PowerPoint slides of illustrations from different books on swordplay from the Middle Ages. “Rapiers,” claimed the main speaker, “are silly weapons.” Nevertheless he managed to throw in at least one reference to The Princess Bride.
By this stage it was 10:30 and we were both very tired. We decided to give Neverwhere a miss and called Ben to come pick us up. After hanging up I realised that we could have still caught the tram because it was before midnight. Oh well. Outside, fans were coming back from a football game and there was traffic mayhem everywhere. Nevertheless, we still managed to get back to University college before 11.
Bible: 1 Chronicles (ESV) 28/10/2008 (0)
Bible: 2 Peter (ESV) 25/10/2008 (0)
seen: The Duchess 23/10/2008 (0)
Bible: 1 Peter (ESV) 22/10/2008 (0)
Bible: Jonah (ESV) 20/10/2008 (0)
Bible: James (ESV) 16/10/2008 (0)
Bible: Obadiah (ESV) 14/10/2008 (0)
Bible: Amos (ESV) 13/10/2008 (0)
read: Rapunzel's Revenge (Shannon Hale, Dean Hale and Nathan Hale) 12/10/2008 (0)
seen: Whisper of the Heart 10/10/2008 (0)
seen: My Neighbour Totoro 10/10/2008 (0)
Bible: Hebrews (ESV) 06/10/2008 (0)
Bible: Psalms (ESV) 03/10/2008 (0)
Bible: 2 Kings (ESV) 29/09/2008 (0)
Bible: Joel (ESV) 28/09/2008 (0)
Bible: Hosea (ESV) 24/09/2008 (0)
read: Pastoralia (George Saunders) 23/09/2008 (0)
listening: Kismet (Jesca Hoop) 23/09/2008 (0)
seen: Howl's Moving Castle 20/09/2008 (0)
read: On Chesil Beach (Ian McEwan) 20/09/2008 (0)
Bible: Philemon (ESV) 19/09/2008 (0)
Bible: 1 Timothy (ESV) 18/09/2008 (0)
Bible: 2 Timothy (ESV) 15/09/2008 (0)
read: The Game (Diana Wynne Jones) 14/09/2008 (0)
seen: Mr & Mrs Smith 13/09/2008 (0)
read: Make Like a Tree and Leave (Paula Danziger) 11/09/2008 (0)
seen: Hellboy II: The Golden Army 09/09/2008 (0)
read: Star Wars: A New Hope manga volumes 1, 2, 3 and 4 (George Lucas, Hisao Tamaki, Tom Orzechowski, Adam Warren) 06/09/2008 (0)
seen: Paris Je T'aime 05/09/2008 (0)
Bible: 1 Timothy (ESV) 03/09/2008 (0)
seen: March of the Penguins 25/08/2008 (0)
read: Persepolis (Marjane Satrapi) 25/08/2008 (0)
read: Fables Vol 1: Legends in Exile (Bill Willingham, Lan Medina, Steve Leialoha, Craig Hamilton, James Jean) 18/08/2008 (0)
seen: Lock, Stock and Two Smoking Barrels 17/08/2008 (0)
read: The Nanny Diaries (Emma McLaughlin and Nicola Kraus) 16/08/2008 (0)
seen: Stranger Than Fiction 15/08/2008 (0)
Bible: 2 Thessalonians (ESV) 14/08/2008 (0)
seen: The Royal Tenenbaums 13/08/2008 (0)
Bravo Karen. Superb writing and illustration (especially the high contrast frames).
And yes I noticed the transformers poster on the last page! Nice
Thanks Bec!
Good job, all of you! It looks fantastic!
Heheheh ... Hello Kitty is my muse!
See! I told you they were cute stick-figures - especially when they’re angry!
Kawaiiiiii!
Heheheh ... H, it’s never going to happen! Carpe diem!
Kere: Yes, I own all three of Scott McCloud’s books on comics, but I’ve found Making Comics hard to get through—I guess because, as you say, his primary target audience is artists. But it’s very interesting and helpful all the same.
Very nice
I’ll put this, too, on my list of things to do when I have more time…
Any discussion of the purpose of art is going to huge and unwieldy. And in the end, I suppose, my question would be whether or not it truly matters or if it can be defined in a way that truly encompasses, rather than limiting, the possibilities of art and the roles of the artist. In the end, I don’t have to write (there is no compulsion) but nor do I write for any end purpose (which to me would still involve some form of compulsion). I write because it’s part of who I am, because I love it and would rather do it than not. The process is enough for me, is the enjoyment. It’s not the story or the characters or the theme or message - all of that is about the end product - but the work itself, the way it happens, the word choice and the way its chosen, the way each part works together and how I’m making that happen. It’s said that a work of art is never completed only abandoned and I think that’s true and that this is why: art is about the creation, not about the product.
But that’s just my point-of-view - it’s the importance of art for me - and there are no ends of artists and critics who would disagree with me and do so strenuously. And I don’t know that there is a right or wrong here. For me the end product is… very nice and I’m happy to do something with it. I’d like to think it can express something important to other people and that that message should be to God’s greater glory. Which, as you’ve pointed out, it cannot help but be. But for me it’s about the process which is, to some extent, a view of art for art’s sake.
Well, that was convoluted. I’m planning a wedding! I have an excuse! ;p Hope that made some sense. ^-^
Hihi. The book Jon recommended to me when I started my graphic novel is Scott McCloud’s ‘Making Comics’. I found it quite useful, though a lot of the stuff it says are things you would think of yourself given the moment to do so and he’s very much coming from an artist’s point-of-view and seems to assume that the drawing comes before the writing. Still, he had some interesting things to say and in an interesting manner.
I’m very glad you’ve done some drawing for this. I found it interesting to think in the right way for this kind of static visual form, unlike a form like film which is… *tries to find the word* based in action rather than having all the action happening between images. (Why sue one word when ten will do?! ;p ) It takes some getting used to, though I’ve been doing layouts as I write which helped no end.
Anyway, this is alll shiny. ^-^
Good discussion and reminder, and I’m looking forward to seeing more of this series
It’s something I think about from time to time, and should probably devote a bit more thought to, although I’m approaching art from the point of view of a profession/vocation more than as a vital form of self-expression. But I will often be among people who do, so shouldn’t ignore that aspect.
I wonder if there’s a name for that kind of creative/artistic circularity ...
George, one day I will come and borrow your collection ... once I get through my unread pile!
Kathleen: no, not yet. It’s sitting pristine in a ziplock bag ;P
Hee hee, yes I did! And today I found some blue pencils so I’m going to have a go at using them.
We will have to collaborate some time in the future ... I will keep thinking up more ideas for four-page comics ...
And that Copper tutorial was great - informative and funny. Did you hold the pencil the right way?
So glad you went for it! I was going through my notebook the other night and found my sketches and thought, I wish I had had time
It’s so lovely, like something made out of spiderweb! My “string” illustration was based on a sketch I made of you knitting it (although I didn’t know it at the time).
By the way, I have every Georgette Heyer book (all the romance ones). She’s one of my favourite authors.
That was such a funny, enjoyable read especially the thing about the knitting needles. Funny stuff and sad but true
I love going to Brizzy. I like how laid back the city is, there’s little aggro, and I love the weatherboard architecture. I have a friend who lives near St Lucia (actually Kenmore) and I always love going there… Ah! I miss it.
Yes, but there’s a difference between following the rules and trying to convince people they are reasonable
It was a very excellent chair, Karen - and your photos all turned out really well. I’ve got some sketches up on Flickr (but they don’t look like you!).
Used the sketchbook yet?
About the bamboo knitting needles, they follow rules as a requirement of their job. As with most people, keeping their job is most important so regardless of how silly the rules are, they must be followed as she would be well conditioned to do so.
Tea Inn! And freezer section of Asian supermarket.
Thank you again - it’s lovely!
the last spray bottle I got I got from woolies (in australia). I would be suprised if they have stopped selling them. Maybe you should try looking in the gardening bit? I can’t remember where it was.
you have inspired me to get a wii fit too! I am rubbish at the soccer heading game. but I like the ski jump!
alison 8-)
Ooh, where do you get dessert dumplings? Hang on, I think I might have had them in some Chinese restaurant. Not with the soup though.
1. Dessert dumplings!! Have you ever had them? White on the outside, filled with peanut sauce or black sesame on the inside. You have it with a sweet watery soup. Also, you can get ice-cream type dumplings (if that’s stretching the definition of dumpling a bit far
)
2. Duck gyoza?? Yum! Wanna try that!!
Wow! That is amazing!!
Sorry about that! My blog must be rather hungry, eating comments like that ...
So glad you’re still reading
Been praying for you.
Hi! *I’m* still reading your blog!
sounds like you had a nice time!
the last comment I left got eaten (i.e. never appeared) so better luck this time??
Alison P.
Thanks for this. I have it all sorted! I wonder why all that other html stuff comes up whenever I look at other rss feeds, when it’s that simple ...
Regarding Google Reader:
Click on “Add subscription” (LHS menu).
Copy and paste the relevant feed URL. My blog is complicated because there are four:
Click “Add” and you’re done!
This has nothing to do with your post, but I am clueless as to what to do with your feed things on here up there in the corner, and can no longer get this blog in google reader. So, can you enlighten me as to what I might do with that html stuff up there?
Everyone automatically gets copyright on work they produce and publish. You don’t need to (C) 2008 the work, its automatic law.
You can release that work under a license otherwise it defaults to the normal copyright law. A license can give certain permissions and apply certain restrictions in the use of the work.
Often people release works under more than one license, for say a commercial license and a free license where free may have some restrictions such as preventing re-sale of the item.
Patent law only applies if you obtained a patent, which only applies to inventions which are new and original. Unfortuantly people can patent too many things these days such as DNA and thereby own living organisms.
*struggles to express thought coherently* What Kathleen said. ;p If your enjoyment of the activity is suffering because of the pressure other people’s suggestions place on it, then perhaps you should cut back on accepting those suggestions. I now have a default response of “no” to most suggestions that I offer the things I do to relax or for my own enjoyment in the service of something or someone else. Not that this stops me offering to do things but I know it’s easy to feel like you should do something because people have suggested that it might help.
This is really lovely, Karen. I’m always in awe of people who can knit: it’s always been beyond me. This is just gorgeous.
I think it’s something you work out only by getting into that situation. I’ve been there, and learned to say - I’m not enjoying X anymore… why was I doing X and how important is X? And if the demands of other people’s wishes and suggestions and deadlines interfere with both that reason and other things that are more important, then I don’t agree to them in future. It sounds like you knit for relaxation and creativity, to rest and recreate for the rest of life, and the extra obligations imposed on knitting ruin both the r&r;and (therefore) hurt other areas of your life.
It’s the sort of thing you learn by trial and error. I’ve had to learn to make extra activities based on those things a default ‘no’, and then have a really good reason if I change that.
I agree with Nathan, I don’t think you can copyright the pattern, you’d have to get a patent. Sounds like wishful thinking on the pattern creators part.
No doubt people weren’t aware that others were selling stuff made from their patterns. But now that we have the internet, it’s easier to track these things.
From the brief reading I did, even if Australian copyright law were slightly different, because of how other countries subscribe to certain forms of international copyright law, they can still claim their rights even if you’re in Australia and they’re in the US.
Anyway, the problem come when you sell what you knit; if you give it away for free, it’s fine.
I’ve gone and asked for permission from the original designers of the patterns I used. One said a flat out no. I’m waiting to hear back from the other two.
I was wondering about this the whole time I was admiring your work. The thing is that it’s not clear cut in any way shape or fashion. Some patterns will say that you can’t sell any products from the pattern but some will say nothing at all. Nathan insists that the only thing that can be copyrighted is the paper/online pattern itself. If the designers didn’t want you to create and sell from the pattern then they should have patented it.
It’s very murky. Copyright australia website has some pdf helps but even then I’m unsure on the whole copyright vs patent issue.
I think this is only a very recent thing in the crafting world. Before it used to all be about sharing patterns and sharing ideas for the common good. But now it’s all about ‘gimme, gimme, gimme’.
If you made a derivative work of another, which all creative people do all the time anyhow, it is up to the copyright holder to prosecute you.
Or otherwise, you can ask the copyright holder for permission to use it as such in which case they can say yes sure, or the can ask you for money.
Serving breakfast to kids in the classroom boosts attendance, increases attention spans and helps kids ease into the school day as they get to socialise and relax before class begins.
Voice operated searches can now be conducted through Google on the iPhone. This service will soon be expanded to other mobiles.
Via Rod B. Sermon outline on how to think biblically about Facebook.
The Black Dog Institute's 5th annual writing competition. Deadline: 31 January 2009.
Studies in the UK shows that marriage is good for children, whereas family breakdown leads to poverty, personal debt, drug and alcohol addiction, failed education, unemployment and dependency.
Via Dave: build and buy your own muppet.
Services like eGuardian which have been set up to protect children may also sell their information to marketers and advertisers, prompting concerns about privacy.
Amusing article about how retail packaging is changing in the face of consumer complaints that they are too hard/dangerous to open.
Cory Tennis's advice to someone who wants to be more creative: just get out there and do stuff.
The impulse to create is interesting: "...I have these strange feelings all the time, like I want to sit down and write a song or a poem or create something, but I don't know where or how or what ... or why."
Print your own fabric--from photos, illustrations, etc.
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Comments
Hi there,
I think we may have met at Stan and Clare’s wedding, the mention of the lollies sounds very familiar.
I have lost touch with Clare and was hoping that you could forward my details to her, or vice versa.
Thanks so much!
Ebony de Souza