I haven't been sleeping well but nevertheless I get up and go to breakfast. We are late to the con and I only catch the tail-end of “The Token Harry Potter Panel”. I am disturbed to discover that there is slash fiction out there about Remus Lupin and Sirius Black. Even though the book was only released the day before, there are people who have already finished reading it. Cannot wait for my copy but I have to wait for my brother who promised to give it to me for my birthday.
Next is “Underground Comics In Australia” (David Carroll, David Blumenstein, Jo Waite, Grant Stone) which was pretty disappointing (or maybe it was because they bagged out Christianity which always makes me feel slightly ill anyway).
I couldn't find Kathleen but I went to the Robin Hobb Guest of Honour speech anyway and was surprised by how good it was and how much I enjoyed it. She talked about writing and parenting and the strong parallels between the two. Here are some of my notes:
- Writing is like parenting: you have to break it down into achievable goals. And you won't know if you're successful for years. You just attempt it and make judgements later.
- Both require perseverance. You are constantly correcting and repeating.
- Time doesn't come in years; it comes in moments. Children don't wait. Be the parent you want to be. Don't procrastinate. It's the same with writing—if you write about that idea you had a year later, it won't be the same idea but it will be the idea with one year's experience on it.
- You will never have more free time than you do right now. Life just fills in the moments; if you don't take them, you'll never get them.
- Being in charge and setting the rules. With each choice I make, I decide against all other choices.
- Children keep you in touch with the world. Great excuse to plunder children's and young adult's sections of the library and bookstores.
- You don't have to be a parent to be a good writer. But you can do both.
I thought it was interesting how Robin was writing about Fitz in the Farseer Trilogy while her son was going through the turmoil of adolescence. It didn't matter if they had argued or weren't speaking, whenever he came home, he would always read the day's chapter before going to bed.
I wonder if my kids would ever want to read my work.
After Robin's speech, I was kind of sick of going to panels and sitting down. I wanted to do something else for a while so I knelt on the floor and worked on the Dinotopia puzzle that someone had so kindly set up for people to work on in the foyer of the three ballrooms. Various people came and went and helped me—particularly people in Neil's signing line (his third session). I had a splitting headache. Unfortunately, kneeling on the floor is uncomfortable and I got a backache from pouring over the puzzle so I gave up and tried to join the signing line to get Neil to sign my hardcover copy of Coraline and give him his present but I was too late—they needed to take him off to lunch so I went off and bought another sandwich from the Hilton people and found Kathleen, remembering that they were going to screen A Short Film About John Bolton during the lunch hour (which is kind of good because I wanted to see it but wasn't prepared to get to the Hilton at 8 am that morning to do so. I'm not that dedicated). I really enjoy the film—especially for its humour and characterisation. I think I was taking it way too seriously as a documentary—definitely didn't pick the ending.
Afterwards, Kathleen and I camped out on the foyer floor and ate our Hilton sandwiches. My headache was getting worse and I didn't think I'd be able to last for the Robin Hobb signing at 4 to get The Golden Fool signed for Panther. Kathleen said she was going anyway. After lunch, there was the “What's New in Anime” panel but I wasn't up for it. I hung around the foyer while Kathleen went off to something and then I saw Neil coming back from lunch, walking and talking with the girl with the amazing hair. I felt rude interrupting but he very nicely stopped to sign my book.
“Who should I make it out to?” he asked. At this point, completely forgetting about Neil's signing tips, particularly,
Remember your name. Know how to spell it, even under pressure, such as being asked.
I say, in response to my question, “Me.” And then think to pull out my Continuum 3 nametag so he knows what my name actually is and how to spell it. And again, even though he wasn't supposed to be signing, he had his own pen with him and he drew me a rat and I told him that Coraline is my favourite thing he's written so far. And then I gave him a present (it was Elixir if you're curious; I thought he might like them) and, even though I'm sure he's gotten tons of presents over the years from various fans, he still thanked me sincerely like he really appreciated it and then kissed me on the cheek.
(At this point I think briefly of Guan's post—particularly the lines,
Ahhhhh. (sigh of contentment) And not that it's a competition, but top that, /Karen/ and Haoran.
and am inflicted by a very perverse and juvenile urge to SMS Guan [who, I know, is currently away at the Campus Bible Study Graduate Conference with Haoran, Elsie and Haydn] but then think that belittles a rather special moment and so I don't.)
He moves on and I'm left in the foyer, kind of stunned. I'm also stuck for things to do and I don't want to go to another panel because I'm all panelled-out but I still need to get that book signed. I find one of the available chairs in the foyer and sit down and fill out the feedback form for the convention. While I'm sitting there, a guy named Firebird comes up and starts talking to me—I met him briefly the day before during the Neil signing. He seems to be a con veteran and he tells me all about Swancon and other cons he's been to (cons that have constant video streams and even gaming streams). Talking to him makes me realise that not everyone goes to cons for the Guests of Honour or the panels; people go for different reasons. I must be weird. He also advised, to get the most of a con experience, to stay in the hotel and to keep coming because then you get to know more of the people. His friend Erica also comes and sits with us but she's very tired and so semi-crashes out on the floor. She and Firebird have just checked out of their rooms so they don't really have anywhere they can snooze.
They get involved in a conversation with another lady who comes to join them and I spot Cat Sparks crossing the foyer floor and take advantage of her offer to talk further about small press publishing. She leads me to the dealer's room where we sit behind the table and chat. I tell her my vague idea and she gives me some direction for it. She talks a bit about the practicalities about small press publishing (print vs. web) and gives me her card. She's very nice and tells me not to hesitate about contacting her about stuff if I need help. I'm not sure what I will do with my idea ... need to do more thinking.
I spot Kathleen in the foyer again and she tells me Robin Hobb has just gone into the dealer's room to sign books for Justin of Slow Glass Books (who let me spend a whole heap of money the day before). When she finishes, I manage to grab her and get that book signed for Panther. I also compliment her on her Guest of Honour speech and ask her if she had a particular time of day to write while raising the kids. She said, “You just take the time when you can—sit by the sandbox with a notebook, get up two hours earlier than when the kids have to go to school ...” I feel quite inspired by her. Cat Sparks comes up and snaps a picture of us together (which isn't in her gallery but a lot of other photos from the con are if you are interested). Kathleen also gets her book signed and then Robin has to go.
My head is bursting at this point but Kathleen and I still go to the “Reinventing the Creation Myth: Gods and Monsters” (Neil Gaiman, Robin Hobb, Cameron Rogers, Jenny Blackford, Shane Jiralya Cummings). They didn't talk much about creation myths but a little bit about gods and monsters. While they were speaking, I couldn't help thinking of that Old Testament 1 lecture John Woodhouse gave us back in March where he talked about how Genesis 1 was probably written in reaction to creation myths like the Babylonian epic, Enuma Elish, which is one of the oldest complete creation myths we have. John drew comparisons between the two, eg.
| Enuma Elish | Genesis 1 |
| The story is complex and messy. | The story is simple and straightforward. |
| “Tiamat” appears as a character with mythological associations (she's sea water and her union with Apsu [fresh water] produces the race of the gods). | “Tehom” is the Hebrew word for “deep” which might have etymological links to “Tiamat” but it is never personalised; it is merely part of God's creation and is incapable of offering resistance to God's creative work. |
| The monsters are gods and very powerful. They create things. | The monsters are mere creatures and usually refer to large water creatures. They don't do any creating. |
| Marduk cuts Tiamat in half. | God does the separating. |
| The sun, the moon and the stars are gods but they are not created by God. Marduk gives them their place and puts them in their constellations. | God creates the sun, moon and stars but they are not named so as to not confuse them with pagan deities. Their status and function is downgraded; they separate day from night and are signs for seasons, days and years. No major attention is given to the stars—they are not objects to be worshipped. |
| The creation of mankind is an afterthought and has the purpose of providing the gods with food, relieving them of the monotony of their work or satisfying their physical needs. | The creation of mankind is the pinnacle of creation. Adam is blessed by God and given dominion. God provides his food, not the other way around. Adam alone is addressed by God in the 2nd person pronoun, “you”. Adam alone, out of all the creation, is described as being created in God's image and likeness. |
| The gods speak magic words and by these words, things happen. | God speaks and creation comes into being but it is not because his words have any power; it is because he himself is powerful. |
While the panel discussion was taking place, Kathleen had gotten out her paints and was adding colour to her drawings from the Maskobalo the night before.

As you can see, she's really good!

My head had had enough and I told Kathleen that I was going back to University College—maybe to have a sleep. I had decided to miss the closing ceremony anyway because I wanted to go to church with Anita. She said she would try to be back in time for church but might not make it. So we parted ways and I took the tram back to University College and found Ben watching some Herbie movie and we ate rice snacks until he fell asleep. I woke him up for dinner and was intending to go to church from there but he wasn't feeling too good and so did not accompany me.
Anita was there at the front gate promptly at 7:20 and she drove me to St. Jude's. It is an old Anglican church which looks like it's heritage listed because there was all this stuff on the walls to keep it from crumbling down.

They blocked off the back pews to get everyone to sit closer to the front. Ben mentioned that when he visited St. Jude's last year, he liked how all the singing was done together at the beginning and not scattered throughout the service as an excuse to stand up and stretch or break up the proceedings. I have to say I liked that too. I didn't know many of the songs but they were easy enough to pick up and join in.

The sermon is on Daniel 6 and it is very good and encouraging, challenging us to be as upright and blameless as Daniel was—the kind of person who was the same in private as he was in public, continually trusting in his God. I didn't get enough time to fill out the response form before the plate came around but Anita got me to give it to one of their staff workers afterwards.
They were encouraging people to go to Lygon St. for supper but few were keen to go. Anita was successful in persuading one girl named Kristen to accompany us to Koko Black for another divine hot chocolate before dropping me back at University College again.
Bible: 1 Chronicles (ESV) 28/10/2008 (0)
Bible: 2 Peter (ESV) 25/10/2008 (0)
seen: The Duchess 23/10/2008 (0)
Bible: 1 Peter (ESV) 22/10/2008 (0)
Bible: Jonah (ESV) 20/10/2008 (0)
Bible: James (ESV) 16/10/2008 (0)
Bible: Obadiah (ESV) 14/10/2008 (0)
Bible: Amos (ESV) 13/10/2008 (0)
read: Rapunzel's Revenge (Shannon Hale, Dean Hale and Nathan Hale) 12/10/2008 (0)
seen: Whisper of the Heart 10/10/2008 (0)
seen: My Neighbour Totoro 10/10/2008 (0)
Bible: Hebrews (ESV) 06/10/2008 (0)
Bible: Psalms (ESV) 03/10/2008 (0)
Bible: 2 Kings (ESV) 29/09/2008 (0)
Bible: Joel (ESV) 28/09/2008 (0)
Bible: Hosea (ESV) 24/09/2008 (0)
read: Pastoralia (George Saunders) 23/09/2008 (0)
listening: Kismet (Jesca Hoop) 23/09/2008 (0)
seen: Howl's Moving Castle 20/09/2008 (0)
read: On Chesil Beach (Ian McEwan) 20/09/2008 (0)
Bible: Philemon (ESV) 19/09/2008 (0)
Bible: 1 Timothy (ESV) 18/09/2008 (0)
Bible: 2 Timothy (ESV) 15/09/2008 (0)
read: The Game (Diana Wynne Jones) 14/09/2008 (0)
seen: Mr & Mrs Smith 13/09/2008 (0)
read: Make Like a Tree and Leave (Paula Danziger) 11/09/2008 (0)
seen: Hellboy II: The Golden Army 09/09/2008 (0)
read: Star Wars: A New Hope manga volumes 1, 2, 3 and 4 (George Lucas, Hisao Tamaki, Tom Orzechowski, Adam Warren) 06/09/2008 (0)
seen: Paris Je T'aime 05/09/2008 (0)
Bible: 1 Timothy (ESV) 03/09/2008 (0)
seen: March of the Penguins 25/08/2008 (0)
read: Persepolis (Marjane Satrapi) 25/08/2008 (0)
read: Fables Vol 1: Legends in Exile (Bill Willingham, Lan Medina, Steve Leialoha, Craig Hamilton, James Jean) 18/08/2008 (0)
seen: Lock, Stock and Two Smoking Barrels 17/08/2008 (0)
read: The Nanny Diaries (Emma McLaughlin and Nicola Kraus) 16/08/2008 (0)
seen: Stranger Than Fiction 15/08/2008 (0)
Bible: 2 Thessalonians (ESV) 14/08/2008 (0)
seen: The Royal Tenenbaums 13/08/2008 (0)
Bravo Karen. Superb writing and illustration (especially the high contrast frames).
And yes I noticed the transformers poster on the last page! Nice
Thanks Bec!
Good job, all of you! It looks fantastic!
Heheheh ... Hello Kitty is my muse!
See! I told you they were cute stick-figures - especially when they’re angry!
Kawaiiiiii!
Heheheh ... H, it’s never going to happen! Carpe diem!
Kere: Yes, I own all three of Scott McCloud’s books on comics, but I’ve found Making Comics hard to get through—I guess because, as you say, his primary target audience is artists. But it’s very interesting and helpful all the same.
Very nice
I’ll put this, too, on my list of things to do when I have more time…
Any discussion of the purpose of art is going to huge and unwieldy. And in the end, I suppose, my question would be whether or not it truly matters or if it can be defined in a way that truly encompasses, rather than limiting, the possibilities of art and the roles of the artist. In the end, I don’t have to write (there is no compulsion) but nor do I write for any end purpose (which to me would still involve some form of compulsion). I write because it’s part of who I am, because I love it and would rather do it than not. The process is enough for me, is the enjoyment. It’s not the story or the characters or the theme or message - all of that is about the end product - but the work itself, the way it happens, the word choice and the way its chosen, the way each part works together and how I’m making that happen. It’s said that a work of art is never completed only abandoned and I think that’s true and that this is why: art is about the creation, not about the product.
But that’s just my point-of-view - it’s the importance of art for me - and there are no ends of artists and critics who would disagree with me and do so strenuously. And I don’t know that there is a right or wrong here. For me the end product is… very nice and I’m happy to do something with it. I’d like to think it can express something important to other people and that that message should be to God’s greater glory. Which, as you’ve pointed out, it cannot help but be. But for me it’s about the process which is, to some extent, a view of art for art’s sake.
Well, that was convoluted. I’m planning a wedding! I have an excuse! ;p Hope that made some sense. ^-^
Hihi. The book Jon recommended to me when I started my graphic novel is Scott McCloud’s ‘Making Comics’. I found it quite useful, though a lot of the stuff it says are things you would think of yourself given the moment to do so and he’s very much coming from an artist’s point-of-view and seems to assume that the drawing comes before the writing. Still, he had some interesting things to say and in an interesting manner.
I’m very glad you’ve done some drawing for this. I found it interesting to think in the right way for this kind of static visual form, unlike a form like film which is… *tries to find the word* based in action rather than having all the action happening between images. (Why sue one word when ten will do?! ;p ) It takes some getting used to, though I’ve been doing layouts as I write which helped no end.
Anyway, this is alll shiny. ^-^
Good discussion and reminder, and I’m looking forward to seeing more of this series
It’s something I think about from time to time, and should probably devote a bit more thought to, although I’m approaching art from the point of view of a profession/vocation more than as a vital form of self-expression. But I will often be among people who do, so shouldn’t ignore that aspect.
I wonder if there’s a name for that kind of creative/artistic circularity ...
George, one day I will come and borrow your collection ... once I get through my unread pile!
Kathleen: no, not yet. It’s sitting pristine in a ziplock bag ;P
Hee hee, yes I did! And today I found some blue pencils so I’m going to have a go at using them.
We will have to collaborate some time in the future ... I will keep thinking up more ideas for four-page comics ...
And that Copper tutorial was great - informative and funny. Did you hold the pencil the right way?
So glad you went for it! I was going through my notebook the other night and found my sketches and thought, I wish I had had time
It’s so lovely, like something made out of spiderweb! My “string” illustration was based on a sketch I made of you knitting it (although I didn’t know it at the time).
By the way, I have every Georgette Heyer book (all the romance ones). She’s one of my favourite authors.
That was such a funny, enjoyable read especially the thing about the knitting needles. Funny stuff and sad but true
I love going to Brizzy. I like how laid back the city is, there’s little aggro, and I love the weatherboard architecture. I have a friend who lives near St Lucia (actually Kenmore) and I always love going there… Ah! I miss it.
Yes, but there’s a difference between following the rules and trying to convince people they are reasonable
It was a very excellent chair, Karen - and your photos all turned out really well. I’ve got some sketches up on Flickr (but they don’t look like you!).
Used the sketchbook yet?
About the bamboo knitting needles, they follow rules as a requirement of their job. As with most people, keeping their job is most important so regardless of how silly the rules are, they must be followed as she would be well conditioned to do so.
Tea Inn! And freezer section of Asian supermarket.
Thank you again - it’s lovely!
the last spray bottle I got I got from woolies (in australia). I would be suprised if they have stopped selling them. Maybe you should try looking in the gardening bit? I can’t remember where it was.
you have inspired me to get a wii fit too! I am rubbish at the soccer heading game. but I like the ski jump!
alison 8-)
Ooh, where do you get dessert dumplings? Hang on, I think I might have had them in some Chinese restaurant. Not with the soup though.
1. Dessert dumplings!! Have you ever had them? White on the outside, filled with peanut sauce or black sesame on the inside. You have it with a sweet watery soup. Also, you can get ice-cream type dumplings (if that’s stretching the definition of dumpling a bit far
)
2. Duck gyoza?? Yum! Wanna try that!!
Wow! That is amazing!!
Sorry about that! My blog must be rather hungry, eating comments like that ...
So glad you’re still reading
Been praying for you.
Hi! *I’m* still reading your blog!
sounds like you had a nice time!
the last comment I left got eaten (i.e. never appeared) so better luck this time??
Alison P.
Thanks for this. I have it all sorted! I wonder why all that other html stuff comes up whenever I look at other rss feeds, when it’s that simple ...
Regarding Google Reader:
Click on “Add subscription” (LHS menu).
Copy and paste the relevant feed URL. My blog is complicated because there are four:
Click “Add” and you’re done!
This has nothing to do with your post, but I am clueless as to what to do with your feed things on here up there in the corner, and can no longer get this blog in google reader. So, can you enlighten me as to what I might do with that html stuff up there?
Everyone automatically gets copyright on work they produce and publish. You don’t need to (C) 2008 the work, its automatic law.
You can release that work under a license otherwise it defaults to the normal copyright law. A license can give certain permissions and apply certain restrictions in the use of the work.
Often people release works under more than one license, for say a commercial license and a free license where free may have some restrictions such as preventing re-sale of the item.
Patent law only applies if you obtained a patent, which only applies to inventions which are new and original. Unfortuantly people can patent too many things these days such as DNA and thereby own living organisms.
*struggles to express thought coherently* What Kathleen said. ;p If your enjoyment of the activity is suffering because of the pressure other people’s suggestions place on it, then perhaps you should cut back on accepting those suggestions. I now have a default response of “no” to most suggestions that I offer the things I do to relax or for my own enjoyment in the service of something or someone else. Not that this stops me offering to do things but I know it’s easy to feel like you should do something because people have suggested that it might help.
This is really lovely, Karen. I’m always in awe of people who can knit: it’s always been beyond me. This is just gorgeous.
I think it’s something you work out only by getting into that situation. I’ve been there, and learned to say - I’m not enjoying X anymore… why was I doing X and how important is X? And if the demands of other people’s wishes and suggestions and deadlines interfere with both that reason and other things that are more important, then I don’t agree to them in future. It sounds like you knit for relaxation and creativity, to rest and recreate for the rest of life, and the extra obligations imposed on knitting ruin both the r&r;and (therefore) hurt other areas of your life.
It’s the sort of thing you learn by trial and error. I’ve had to learn to make extra activities based on those things a default ‘no’, and then have a really good reason if I change that.
I agree with Nathan, I don’t think you can copyright the pattern, you’d have to get a patent. Sounds like wishful thinking on the pattern creators part.
No doubt people weren’t aware that others were selling stuff made from their patterns. But now that we have the internet, it’s easier to track these things.
From the brief reading I did, even if Australian copyright law were slightly different, because of how other countries subscribe to certain forms of international copyright law, they can still claim their rights even if you’re in Australia and they’re in the US.
Anyway, the problem come when you sell what you knit; if you give it away for free, it’s fine.
I’ve gone and asked for permission from the original designers of the patterns I used. One said a flat out no. I’m waiting to hear back from the other two.
I was wondering about this the whole time I was admiring your work. The thing is that it’s not clear cut in any way shape or fashion. Some patterns will say that you can’t sell any products from the pattern but some will say nothing at all. Nathan insists that the only thing that can be copyrighted is the paper/online pattern itself. If the designers didn’t want you to create and sell from the pattern then they should have patented it.
It’s very murky. Copyright australia website has some pdf helps but even then I’m unsure on the whole copyright vs patent issue.
I think this is only a very recent thing in the crafting world. Before it used to all be about sharing patterns and sharing ideas for the common good. But now it’s all about ‘gimme, gimme, gimme’.
If you made a derivative work of another, which all creative people do all the time anyhow, it is up to the copyright holder to prosecute you.
Or otherwise, you can ask the copyright holder for permission to use it as such in which case they can say yes sure, or the can ask you for money.
Serving breakfast to kids in the classroom boosts attendance, increases attention spans and helps kids ease into the school day as they get to socialise and relax before class begins.
Voice operated searches can now be conducted through Google on the iPhone. This service will soon be expanded to other mobiles.
Via Rod B. Sermon outline on how to think biblically about Facebook.
The Black Dog Institute's 5th annual writing competition. Deadline: 31 January 2009.
Studies in the UK shows that marriage is good for children, whereas family breakdown leads to poverty, personal debt, drug and alcohol addiction, failed education, unemployment and dependency.
Via Dave: build and buy your own muppet.
Services like eGuardian which have been set up to protect children may also sell their information to marketers and advertisers, prompting concerns about privacy.
Amusing article about how retail packaging is changing in the face of consumer complaints that they are too hard/dangerous to open.
Cory Tennis's advice to someone who wants to be more creative: just get out there and do stuff.
The impulse to create is interesting: "...I have these strange feelings all the time, like I want to sit down and write a song or a poem or create something, but I don't know where or how or what ... or why."
Print your own fabric--from photos, illustrations, etc.
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Comments
Aaargh!
What’s this idea for a book you keep talking about???
(suspense is killing me...)
I will tell you next time I see you.